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runtime: 83 Min
Creators: Barnabás Tóth
Stars: Barnabás Horkay
2019
Barnabás Tóth
Hungary
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Most relevant Best selling Latest uploads Within Results People Reset No People Only with people Number Any 1 2 3 4 5+ Gender Male Female Age range <1 1-4 5-9 10-15 16-20 21-30 31-45 46-65 65> Ethnicity Asian African American Hispanic Multi-racial Caucasian/White Other CANCEL APPLY Pricing Level 0 5 License Royalty-Free Editorial Exclusive Extended WE-L P-EL SR-EL Media Properties Image Orientation Portrait Landscape Square Panorama Color Color Composition Monochrome Primary Percentage Secondary Resolution Size <5 MP 8 MP 15 MP 20+ MP More Contributor From Contributor (separated by comma) within editors' choice Exclude Keywords (separated by comma) Safe Search Filters Reset All Filters. If you just want to learn how to reduce your risk of catching COVID-19, scroll down to the "Risk Reduction" section. However, to appreciate the full scope of the challenge ahead, you are encouraged to carefully read this entire document, which will be updated regularly as long as it stays on the front page of your sub. The aim of this document is simple: it's best to walk into something knowing what you're about to face. It also aims to reduce anxiety, panic, and misinformation by arming you with key sourced information, all without downplaying the risks of COVID-19. The document has gone through hundreds of iterations thanks to global community feedback, including from places such as Seattle, LA, Australia, and Canada. Although all facts are meticulously sourced from experts in their fields, you are responsible for your own health and your own research. Further, contextualization of information remains an ongoing challenge, as does keeping up with a fluid situation. Final word will always belong to the health authorities, as well as the mods of this subreddit. Now brace yourself, because this is going to suck a little bit. CONTEXT: A recent in-depth study has shown just how incredibly infectious COVID-19 is. Unfortunately, its spread has not slowed, and the virus has only been halted in China through Herculean efforts. In other words, and as the Director of the WHO himself has said, this is not a drill. The bad news: There are currently over 150, 000 global confirmed cases of COVID-19, and the WHO recently classified it as a pandemic. Now it seems that it has arrived upon your doorstep, which means there is likely silent human-to-human transmission in the community. The good news: knowledge is a weapon that defeats these things. It worked in 1918 against the Spanish Flu, when we essentially stopped the medieval practice of blood-letting (you know when they drained you of blood because they thought that would cure whatever ailed you? Or leeching? ). And it worked against many other outbreaks since: Smallpox, MERS, SARS, Ebola, etc. The WHO's tackling of Smallpox alone was nothing short of scientific heroism. And so, a hundred years after 1918, here we are again, facing perhaps the greatest test of our generation. The problem is that these days we're inundated with so much information that, when a real threat comes along, it's buried under a mountain of clutter. And although this document is not all-encompasing by any means, hopefully it will help you see through some of that clutter, as well as give those new to the threat an opportunity to hit the ground running. So go ahead and meet your foe. Do not underestimate it. Now prepare to go to war. IMPORTANT: The main mode of transmission is via respiratory droplets: coughing, sneezing, and breathing. But you can also get it through shaking hands, kissing somebody who is sick, or touching a contaminated surface (droplet dispersion; think of a cough plume settling). This can include handrails, doorknobs, elevator buttons, and surfaces prone to a droplet dispersion cloud. "Cough dispersion" basically means anytime a sick person coughs, they're dispering a plume of droplets over a given area. The viral particles within those droplets then settle on ordinary surfaces. People touch those surfaces then touch their phones or their faces, which in turn lead to contact with their eyes, mouth, or nose, inducing infection. Therefore it is best to keep a 6 ft "coughing distance" from people, and treat everything you touch in public as if it's been contaminated (see the "Risk Reduction" section below). Here's an excellent short video on the topic. Read a little more on the subject here. [AWAITING PEER REVIEW, BUT IS GAINING ACCEPTANCE IN THE SCIENTIFIC COMMUNITY] There now appears to be evidence the virus can spread through breathing. Michael Osterholm, PhD, MPH, director of the Center for Infectious Disease Research and Policy at the University of Minnesota: "The findings [of the study] confirm that COVID-19 is spread simply through breathing, even without coughing. Don't forget about hand washing, but at the same time we've got to get people to understand that if you don't want to get infected, you can't be in crowds. Social distancing is the most effective tool we have right now. " Source. (Crucial to understand: the research specifies patients who are symptomatic, and makes no claims about asymptomatic transfer. ) UPDATE: Dr. Osterholm just went on the Joe Rogan show to explain the situation. Although the show itself has been known to be controversial, the Doctor's credentials speak for themselves. [AWAITING PEER REVIEW] A new study indicates COVID-19 can survive in the air for up to 3 hours, and several days on surfaces, depending on the surface (up to 3 days on plastic, up to 2 days on metal, up to 1 day on cardboard). ( Article | Study) [AWAITING PEER REVIEW] New analysis seems to indicate infected people without symptoms might be driving the spread of coronavirus more than we realized (CNN link, with links to multiple studies in the article) Up to 1 in 5 infected people may require hospitalization source 1, source 2. But this is an oversimplification as the metric skews toward the elderly and those with comorbidities (see the Mortality/Comorbidities section below). Plus the metrics differ based on region and testing capacity. Here's a breakdown of the above: Approximately 80% of laboratory confirmed patients have had mild to moderate disease, which includes non-pneumonia and pneumonia cases. 13. 8% have had severe disease requiring hospitalization, and 6. 1% were critical, requiring the ICU (respiratory failure, septic shock, and/or multiple organ dysfunction/failure). (These numbers are as of Feb 20, 2020, based on 55, 924 laboratory confirmed cases in China, from the WHO report. ) Update: European Society of Intensive Care Medicine is reporting a 10% ICU rate, and has issued a word of warning. Due to the highly infectious nature of COVID-19, the danger is not just the mortality rate for the vulnerable, but the possibility of overwhelming the health infrastructure, which in turn causes unnecessary fatalities. As it stands, it wouldn't take much to overwhelm hospitals, hence why it's important to start taking preventative measures now (outlined in the Risk Reduction section below)? especially because hospitals are already burdened with a heavy flu season (in the Northern hemisphere, that is). For example, if only 10 out of every 1000 people required a bed, we'd already be coming up short, as in the USA there are only 2. 77 beds for every 1000 people, and 2. 58 in Canada. Why is this important? In South Korea, 4 in 22 deaths happened while waiting to be hospitalized ( source in Korean, as well as a discussion about it), and that's from South Korea, who is #2 in the world bedcount-wise with 12. 27 beds per 1000 people. And of course many beds will already be occupied for regular patients. Toronto Star soberly warns hospitals can’t cope if coronavirus outbreak worsens in Canada: March 6th. A surgeon working in the heart of Italy's outbreak gives a harrowing testimony and urges everyone to heed the warning that it can easily overwhelm hospitals ( translation / Original). This is a "novel" virus, which means the immune system has never been exposed to it and therefore everyone is susceptible. There is no vaccine, nor do authorities expect one for some time. People are thought to be most contagious when they are most symptomatic (the sickest). (Source: CDC) Update: "Coronavirus: Why You Must Act Now | Politicians, Community Leaders and Business Leaders: What Should You Do and When? " ( link) Update: Excellent quick read on how normalcy lulls and how quickly this thing can hit, by The Washington Post: "When a danger is growing exponentially, everything looks fine until it doesn’t" ( link | archive link) Update: CNN: "Take this seriously. Coronavirus is about to change your life for a while" ( link) Update: WHO director: "We are deeply concerned both by the alarming levels of spread and severity, and by the alarming levels of inaction. " ( link) Update: "Any country that looks at the experience of other countries with large epidemics and thinks that it won’t happen to us is making a deadly mistake, " warned the WHO. PSYCHOLOGY: Do not panic, but give yourself permission to feel fear. Fear gets you prepared. As for panic, all one has to do is look at the crowded halls of Wuhan hospitals during the early phases of the outbreak to understand how panic worsens problems. A jolt of fear is all right, as it gets you moving in the right direction. After that point, however, you must turn to thinking clearly, level-headedly, and listen to your local health authorities. As for what you can do, follow the steps in the "Risk Reduction" section below. Upon first learning about the extent of the threat, you may become anxious and hyper aware and start taking extra pecautions. This is normal, what psychologists call an adjustment reaction. A short guide on the subject. Normalcy bias plays a factor. So does denial. You may hear things like "it's just a flu, nothing to worry about. " It is dangerously inaccurate to compare COVID-19 to the flu. Facing the threat will help you prepare for it while denial puts you and your loved ones at risk. People in denial may take foolish risks like attend crowded events during an active outbreak, or fail to take precautionary measures, thereby accidentally passing the virus on to others. Denial also slows community response. Here is an excellent Harvard piece on reactions and overreactions, denial versus panic, and the five principle bulwarks against denial. It is short and absolutely worth your time. For officials, crisis management teaches us that it is important not to downplay a threat, otherwise you may lose the public's trust. Do not fear inducing a panic (see the aforementioned paper). The public needs you to be clear, informative, competent, and p Akik maradtak könyv. Akik maradtak videa. Akik maradtak port. Hannah Baker feltámadt. Akik maradtak magyar film online. Akik itthon maradtak film. Synopsis A man who lost his wife and daughter in the Holocaust and a girl who lost her parents meet. Knowing each other′s emptiness, they become like father and daughter. It is the beginning of a sad love that the world cannot accept. Cast Crew Details Genre Director Writers Cinematography Composer Studio Country Language Alternative Title Someone To Live For Popular reviews More Confesso que fiquei incrédulo quando vi que o pré-indicado da Hungria ao Oscar de filme internacional apareceu na shortlist da Academia, já que filmes com propostas mais ousadas e que mereciam ganhar mais alarde ficaram de fora. Aqueles que Ficaram opta por uma narrativa até certo ponto quadrada - ou acadêmica, se preferir -, a proposta é nos envolver com Aldo e Klara, dois personagens que perderam muito na Segunda Guerra e que encontram um no outro conforto para tempos tão difíceis e sofridos. Essa relação lembra um pouco o que Christian Petzold faz em Em Trânsito, no qual personagens que não tem parentesco acabam se juntando e formando uma família postiça para combater a solidão e completar o vazio… VIFF 2019 - #3 Subtlety. The art of acting so subtly while conveying so much... Guh. Beautiful film... It certainly remained in my head for weeks to come. Even though there's not a lot going on, you're with these characters the whole time and just interpreting their words (which weren't many), their gazes... I just- I would really like to see it again in a couple of months or so... Um belo estudo sobre o relacionamento entre um homem de 42 anos e uma garota de 14 vivendo em uma Budapeste da época da Guerra Fria. Até acredito que o pano de fundo, o fato de ele ter passado por um campo de concentração e viver traumas como a perda da família, acaba ganhando menos peso no filme do que essa relação bonita que se estabelece entre os dois, que causa sempre a dúvida (inclusive para o espectador, mas também para a sociedade) se é algo mais próximo de pai e filha ou algo mais íntimo, fisicamente falando, sexualmente falando. Os dois estão ótimos. Tanto o ator que faz o médico, sempre com um olhar triste, mas bastante afetuoso; quanto ela, a garotinha que encontra naquela figura paterna uma de suas maiores alegrias. A atriz, Abigél Szõke, tem olhos que parecem o mar, de tão belos e profundos. Csodálatos film. Nagyon örülök, hogy ilyen szép kört kezd befutni (magyar mozibemutató, amerikai forgalmazás, Telluride stb. ) és remélem, ezt küldjük majd az Oscarra is. Amellett, hogy szenzációs a két főszereplő (Szőke Abigél és Hajduk Károly - durva, hogy ők mennyire más szerepekben játszottak együtt legutóbb A martfűi rémben), van még legalább nyolc másik kurvajó alakítás a filmben (Soma! Paizs Miki! ), tehát ez a rendező tudja, hogy mit csinál. Um filme que não foi muito badalado e que de repente surge em listas de melhores do ano passado e pode estar entre os cinco indicados ao Oscar de filme internacional deste ano. Dito isso, “Aqeles Que Ficaram” é delicado, e trata de maneira sútil as incomensuráveis perdas causadas pelo Holocausto e o eterno luto dos que perderam seus queridos. Vale conferir. BIFF #11 Exquisite, greatest love story.. I really impressed by the plot and its development.. It's so difficult to organize romance between a man and a girl.. but it did it. Ill-timed 'Lover'.. It remained me Chaplin's Limelight but set in World War II. Love.. and Loneliness, and Surviving could change whenever it takes. But oh man... it's so sad.. I'll never forget the last scene. You'll never regret. this film has lot to discuss! Beautiful!!! Recent reviews One of the best movies of biffes 2020.? Would love to re-watch this again?? Quando Klara é apresentada ao público, sua tia diz que ela está daquele jeito há dois anos. Após a morte dos pais, ela não se desenvolveu. Seu corpo apenas reflete o estado da sua alma. Ao lado dela, o médico Aldo (como ela carinhosamente o chama), tem seu semblante triste, uma voz quase inaudível. Ambos perderam muito no pós-guerra e agora vivem em uma Hungria descolorida, em tons pasteis. As ameaças são sombras, assim como os medos. Barnabás Tóth utiliza planos fechados e closes como recurso estilístico para exaltar essas sensações. A união dos dois protagonistas é feita de forma contemplativa, contribuindo para a construção do que acontece posteriormente. Quando Klara pergunta a Aldo “Por que você está vivo? ”, existem… rettentő rideg. és csak kicsin múlt, hogy nem csúszott el morálisan. BIFFes 2020 #2 Heartbreaking yet incredibly reassuring. It's very good, well written and heartfelt overall (the lead girl is fantastic), but it felt a bit rushed to me? I mean, I think it's way too short and ends up sidelining a lot of interesting stuff because they clearly don't have enough time to deal with everything. tbh I prefer films to be longer so they can take their time to explore as much as they can, and I think if this one had at least another half hour it would've turned out great Those Who Remained is one of the 10 International Feature Films to land on this year’s Oscar shortlist, from Hungary, but I’d place it firmly in the bottom five making it’s chances for an actual nomination somewhat slim. Hailing from director Barnabás Tóth, it’s a period drama that examines the healing experienced by a young girl who survives the Holocaust and grows up in post-WWII Hungary. It’s lovingly shot and delicately acted, but it just didn’t do enough emotionally to separate itself from other post-Holocaust fare, and the basic plot set-up is also admittedly located a little too close to creepstown: Our young protagonist Klára (Abigél Szöke) is essentially a 16 year old girl who develops a crush on a… How do we BE a family after the world comes to an end? Coupling with Beanpole in this way. But the family triumphs here, despite the encroaching new guard being the same as the old, and despite our confusion, as well as that of the characters' and of the society's confusion as to the relationship between the man and girl. We almost fall into immoral territory. But don't be tricked. We won't. This is an adaptation, but the last part of the book "which largely takes the form of letters, apparently" is left out. Want to know more about that. Little hints of flashback as the ghosts of the past enter into the scenes, and take the place of different… PTSD, no inglês post-traumatic stress disorder, ou Síndrome de Estresse pós-traumático é uma doença psicológica que afeta pessoas que passaram por grandes experiências traumáticas e por conta disso não conseguem se recuperar completamente. “Aqueles que Ficaram” trata das experiências de dois cidadãos húngaros que se viram quebrantados pelos crimes cometidos durante a segunda guerra mundial. Crítica completa por Felipe Novoa em: De las muchas cosas que me gustan de esta película, destaco solamente que es silenciosa, pero ahí mismo hay un dolor ensordecedor. Me conmovió mucho. Popular Lists More. Akik maradtak magyar film. Akik maradtak teljes film magyarul videa. Hatalmas Film. Belekerűlt a kedvencek közé.?? Mindenkinek ajánlom. Megható vicces elgondolkodtató. Ajánlom mindenkinek mégegyszer is. Ja... Igen én is Meleg vagyok.?. Akik maradtak imdb. Akik maradtak kritika. 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Eu gosto da forma que você faz os vídeos, mas se tratando de alguns assuntos, você não fica neutro... Those who remained download free game. 14 ANOS 83 minutos Direção Barnabás Tóth Título original Akik maradtak Gênero: Ano: 2019 País de origem: Hungria Sinopse Na Hungria, após o fim da Segunda Guerra Mundial, uma nação de sobreviventes do holocausto tenta se curar através do amor. Em meio ao conflito nacional e ao trauma, um médico de meia idade e uma jovem menina de luto por familiares perdidos em campos de concentração formam uma conexão e ajudam um ao outro a retomar suas vidas. Crítica Este drama húngaro chama atenção inicialmente para seu caráter clássico dentro do que se esperaria de um tradicional melodrama de guerra. Uma imponente orquestra acompanha o caminhar de um médico pelas ruas. As imagens são dessaturadas, como convém a tantas representações de “mundos sem cor”, ou seja, de personagens abatidos. As conversas ocorrem por meias palavras entre personagens cabisbaixos. Estamos no término da Segunda Guerra Mundial, e o diretor Barnabás Tóth adota, a exemplo de muitos diretores, a estética austera em forma de respeito. Para personagens sisudos, um filme sisudo; para retratar a dor, um ritmo e uma imagem em estado permanente de luto. Aqueles que Ficaram jamais proporcionará uma catarse digna deste nome. O projeto sustenta a elegância discreta dos indivíduos que buscam seguir a vida normalmente enquanto a barbárie ocorre nos campos de concentração logo ao lado. O discurso sustenta uma tese anunciada desde o início da narrativa, no caso, a ideia de que a vida “daqueles que ficaram”, ou seja, dos parentes das vítimas do Holocausto, é tão difícil quanto à das pessoas mortas e perseguidas. Seria impossível comparar e chegar a uma resposta definitiva, porém a grave formulação pretende mudar o foco para os supostos felizardos que, no entanto, passam os dias à espera dos pais, esposa e amigos desaparecidos. Por isso, escolhe como protagonistas dois “fantasmas” abandonados pela cidade: o ginecologista Aldo (Károly Hadjuk) e a adolescente Klára (Abigél Szõke). Ele perdeu a esposa, ela espera pelo retorno dos pais. A união entre eles se torna tão bela quanto óbvia: desde a primeira cena em que aparecem juntos, as trocas de olhares deixam claro que não se separarão mais. Tóth promove a superação simbólica do luto através da amizade, como se todos os sobreviventes do genocídio formassem parte de uma grande família invisível. A ideia é delicada, além de ser conduzida com vigor pelos atores principais, especialmente Hadjuk, capaz de trazer uma variação impressionante ao personagem taciturno. No entanto, a sutileza se atenua pelo academicismo da direção. Aqueles que Ficaram faz questão de tornar o homem introvertido demais, enquanto a garota abraça o ápice da traquinagem juvenil. Ele se torna ainda mais responsável, e ela, ainda mais infantilizada, às vezes parecendo manifestar alguma forma de limitação psíquica. Tóth acredita que a proximidade entre eles se tornará ainda mais comovente diante do abismo separando ambos, por isso, acentua traços ao limite da caricatura. Uma dezena de cenas de abraço surge como resolução aos conflitos afetivos. Por mais comoventes que pareçam esses primeiros instantes, a insistência apenas revela a incapacidade do cineasta em buscar alternativas metafóricas à conciliação. Em paralelo, os flashbacks com cores ainda mais dessaturadas exagera uma escolha estética extrema por si própria, e alguns paralelismos de montagem tornam a evolução da dupla um tanto superficial: quando Aldo enfim consegue um encontro amoroso, Klára também conhece um rapaz interessante na mesma noite. A política, representada por ameaças no rádio, demora demais a adentrar a trama de modo a interferir na vida da dupla. Durante dois terços da narrativa, o pai simbólico e sua filha adotiva se isolam numa bolha terapêutica de proteção mútua, o que contribui a aprofundar a construção de personagens, mas não ajuda na representação da dor de uma comunidade inteira durante a guerra. A ameaça de delação por colegas do partido, ou a interferência da polícia no prédio de Aldo aumenta a tensão, fazendo com que o privado enfim se confronte ao público, que as feridas de uma nação inteira invadam o apartamento onde se passa a maior parte da trama. É curioso que o roteiro opte por esta interferência tão tarde na trajetória dos personagens, como se temesse expô-los ao perigo. O carinho evidente de Tóth por Aldo e Klára faz com que os proteja, inclusive, de conflitos narrativos. Rumo à conclusão, a proposta de superação beira o novelesco. Casamentos, namoros, festas em família e uma pesada maquiagem de envelhecimento entram em cena para garantir, ao espectador, uma ilusão de “felicidade para sempre”. Ironicamente, durante uma curta sugestão de erotismo entre os personagens, catalisada pelo medo da morte, o cineasta atinge uma metáfora muito mais potente sobre as identidades burlando as regras e estabelecendo contatos socialmente questionáveis para sobreviverem. Nesta curta cena, a pulsão de vida e de morte se misturam, e os personagens enfim abandonam a aura polida da produção inteira. Entretanto, esta é uma exceção: o filme não deseja chocar, apenas sugerir, com pudor, a dificuldade de se viver à espera dos familiares sequestrados. Por mais que se aplauda o respeito e a empatia, se ressente a falta de uma estética mais agressiva, capaz de representar uma dor igualmente violenta. As duas abas seguintes alteram o conteúdo abaixo. Bio Últimos Posts Crítico de cinema desde 2004, membro da ABRACCINE (Associação Brasileira de Críticos de Cinema). Mestre em teoria de cinema pela Universidade Sorbonne Nouvelle - Paris III. Passagem por veículos como AdoroCinema, Le Monde Diplomatique Brasil e Rua - Revista Universitária do Audiovisual. Professor de cursos sobre o audiovisual e autor de artigos sobre o cinema. Editor do Papo de Cinema. Grade crítica.
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1:26. a lendária GPZ 900R. Meu Deus! Só ela já vale o filme... 😱🙌. Those who remained download free now. Those Who Remained download free vector. Excelente, real e comovente. Um grande matemático ( Srinivasa Ramanujan ) e uma lição de vida que nos ensina a persistir em nossos objetivos e a nadar contra a correnteza. Those Who Remained Download free. Those who remained download free. Those Who Remained download free game. Aí sim. Um filme de respeito! 😍.
A wellplayed touching film. Good acting, Good subject, Good shooting. Recommended. Those who remained download free windows 7. Homem-aranha: uso as teias e os prédios pra me balançar. Batman: uso uma arma de arpeu. Mulher maravilha: raios e uma corda mágica... Those who remained download free t4. Those Who Remained download free ringtones.
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Saw it on premiere on september 24 at Budapest's Corvin Mozi.
Probably the most essential thing to know about this movie is that it was made for television in the first place and later they considered pushing it into the Oscars, for big screens, as they thought it has the potential to win something. It probably has that potential but I don't think that it would be because the movie is that good. maybe for the acting as it was quite strong from the two main protagonists, or for the screenplay. Oh and for the music, that is indeed Oscar-worthy for today's standards. But if for anything other than that. well, then I would smell something fishinness behind that.
So as a TV movie this picture is far better than great. It has a distinctive visual atmosphere with its gray fuminess and late, cold autumny colors, the cinematography is beyond adequate for such TV movie norma, the world the story plays in is really authentic, beholds many details that reflects those old times. The dialouges are clevelry written, they behold the realism but also some theatrical factor for dramatic purposes. The acting is top-notch from the main protagonists, they bring well detailed characteristics into their relationship by which we really hold their connection close to our hearts, but overall all the cast did a good job. The soundtrack has probably the most appeal for an award as it has that really almost-but-not-yet cheesiness that can easily win your ears over, but overall a very pleasant music to listen to, reminded me of Clint Mansell's previous works.
What the whole movie might fall short on is the world building that plays in the post-war dictaturic times. There are some snipets about the oppression they maintained on all these people lived in the post-war city, however, other than having some tricky questions from the "comrades" it never went further than that, it didn't fully bring the overall alienating effect it should have for the story/narrative. It was kinda like only a world building element in order to remind the auidence what times this plays in, never fully did anything more than that. And probably, the ending, which refers onto this dictature didn't feel that cathartic, because of that "only-world-building-element" reason.
Talking with others on premiere some people found the whole fast paced evolution of the protagoninst's relationship unconvincing and out of place, that it needed much deeper, elaborative, slower tendencies to go through. Personaly I had no issue with it at all. I found the relationship really natural and organic in its own way, it was indeed a connection that is not that easily achievable by anyone, but these two somehow had the luck to have a mostly healthy relationship that helped both of them in some ways to heal all the scars the war times brought onto them.
So. basicly, that's all I got to say about this movie. From TV movie standpoints I found it really solidly done, a nicely put together motion picture that is pleasant to watch. For Oscar worthy theatrical experience it might fall behind a bit as it has some lack of details and elaboratness, so - even though I have no respect for Oscars nowadays - I kinda feel this movie has only oscar-worthiness on a few, specific fields and even there there is always much bigger fishes to fight against on awards like this. Again, if it wins any award other than the music, acting, or (maybe) for screenplay then there is something fishy back there in Hollywood (but it's Hollywood, the Oscars, so there is more dirty business than anything else today.
Rating: 6.8/10.
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- Columnist: PB Canoas
- Bio: Sempre olhando para a frente!
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